France and England looked to southern Europe for inspiration, but made the Baroque their own.
1600 - 1700
France and England looked to southern Europe for inspiration, but made the Baroque their own.
1600 - 1700
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A pair of lidded bowls in the J. Paul Getty Museum have had quite an exciting existence.
Though he was eventually beheaded, this portrait encapsulates the king's notion of independent authority, and his belief in the divine right of kings.
Built to glorify the reign of James I, Inigo Jones’s hall later provided the backdrop for Charles I’s execution.
Perrault’s unified design updated the columns of ancient temples to suit modern French taste.
From the setting sun to the ancient tomb, Poussin’s subject is time passing. We sense his longing for a lost past.
This somber image elevates the simple life and pares down painting to just light and line.
This Baroque palace is so big, nine soccer fields could fit inside. Just don’t kick a ball in the Hall of Mirrors!
Royal portraitists negotiated between historical accuracy and ideal form. Here, Rigaud flatters the aging king.