Using found objects, Rina Banerjee illuminates the obscured histories of Black and South Asian populations in New Orleans.
Based on magazines dating from the 1930s to the 1970s aimed at African-American audiences, Gallagher's witty and sophisticated interventions emphasize the complex construction of identity.
This monumental painting of Black people at the beach speaks to a dearth of Black figures in the art history canon
This memorial honors three women who were victims of medical experimentation by the "father of gynecology"
A monumental solution, rethinking the sculpture of Richmond
Referencing the photographs of Edward Curtis, Wilson intends to produce a contemporary visual reimagining of Native American culture through his photographs.
In his New York City studio, Takashi Murakami discusses his three-decades-long practice in which he blends traditional and modern art techniques to create enormous paintings with a visual power unmatched in contemporary art.
Mofokeng lives in Johannesburg where he began his career as a photojournalist, but has long been engaged with the poetic and symbolic potential of black and white photography.
Opie has been using photography as a means of self-expression—and making friends through taking their portraits—since age nine.
Iranian visual artist Shirin Neshat uses film, video, and photography to explore issues of gender and identity, with a particular focus on women's relationships with religious cultural systems of Islam.
Taking its name from Toni Morrison's debut novel, this painting shows the clash of innocence and the adult violence of bigotry and hatred.