Appropriation—the strategy of selective borrowing—is a common theme in the history of modern art.
1980–today
Beginner's guide
Many of the artists now known as the “Pictures Generation” were so named mainly because of their inclusion in the 1977 exhibition “Pictures” at Artists Space in New York City.
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Kapulani Landgraf, ʻAuʻa
Landgraf's works urge viewers to open their hearts to the histories of Hawaiian struggles and the efforts of the Hawaiian sovereignty movement.
Sherrie Levine, After Russell Lee: 1-60
Levine's work turns the notion of what is original on its head.
Abelardo Morell, Camera Obscura Image of Courtyard Building, Lacock Abbey
Abelardo Morell is known for artworks that employ the language of photography to conjure visual surprise and wonder.
Muriel Hasbun, X post facto (6.7)
Hasbun's photograph of an X-ray is deeply laden with meaning and tragedy.
Genesis Báez, Crossing Time
Báez’s photograph poetically expresses the tie between the artist and her origins.
Andres Serrano, Piss Christ
The sacred and profane come together in Serrano's polarizing photograph.
Muriel Hasbun, Todos los santos (Volcán de Izalco, amén)
Superimposing Arabic calligraphy over a photograph of El Salvador's Izalco volcano, Hasbun reflects on her family's diasporic origins.
Yee I-Lann, Picturing Power #6…
Picturing Power #6 is part of a digital photomontage series made with images sourced from a Dutch colonial archive.
Stan Douglas, Every Building on 100 West Hastings
How do we picture a shifting urban landscape constantly on the verge of disappearing?
Sally Mann, Blowing Bubbles
Mann’s iconic photographic series “Immediate Family” features the artist's children, who eat, sleep, and play in an idyllic Southern landscape.
Annie Leibovitz, Queen Elizabeth II
This picture was taken to commemorate Queen Elizabeth II’s official state visit to the United States in 2007.
Will Wilson interview about The Critical Indigenous Photographic Exchange
An interview with Will Wilson about how his photographs engage with the work of Edward Curtis
