Can you celebrate consumer culture at the same time that you critique it? Pop artists thought so.
c. 1956–1980 C.E.
Beginner's guide
The term “Pop Art” first emerged in Great Britain after World War II, but the approach can be traced back even further.
videos + essays
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Harry Fonseca, Two Coyotes with Flags
Cartoonish coyotes play on Fonseca's overlapping identities as queer, American, and Indigenous.
Robert Indiana, LOVE
“LOVE” is a great example of how Robert Indiana incorporated cultural references into his work to address important social and political issues
Richard Hamilton, Just What is It That Makes Today’s Homes So Different, so Appealing?
While Hamilton's Just What is It… is considered to be among the most foundational works of Pop Art, this small collage was initially not created as a work of art.
Harry Fonseca, Creation Story
At almost 18-feet wide, this monumental work depicts the stories of Fonseca’s Maidu ancestors while also celebrating the act of creation
![Warhol, <em>Coca-Cola [3]</em>](https://smarthistory.org/wp-content/uploads/2018/08/Andy-Warhol-Coca-Cola-thumb-570x350.jpg)
The Case for Andy Warhol
By laying bare the relationship between commerce and art, Warhol nullified the idea of being a sell out.
James Rosenquist, F-111
This war machine seemed obsolete before it was finished; Rosenquist explains why he painted it with SpaghettiOs.
Why is this art? Andy Warhol, Campbell’s Soup Cans
By putting this in the museum, we see this as art. But what if it weren’t there?
Roy Lichtenstein, Rouen Cathedral Set V
How do you make a nineteenth-century masterpiece ask twentieth-century questions?
Claes Oldenburg, Floor Cake
Oldenburg’s wonderfully floppy, sloppy cake is filthy, humorous, and not at all edible.
Andy Warhol, Gold Marilyn Monroe
Marilyn’s floating head, garishly colored, functions as the Virgin Mary in a Byzantine icon.
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