Going out to the cinema in 1913 New York, John Sloan’s Movies

When movies were new and lights transformed the darkened city streets

John Sloan, Movies, 1913, oil on canvas, 50.3 x 61 cm (Toledo Museum of Art)

Test your knowledge with a quiz

Sloan, Movies

Start
Congratulations - you have completed Sloan, Movies. You scored %%SCORE%% out of %%TOTAL%%. Your performance has been rated as %%RATING%%
Your answers are highlighted below.
Return
Shaded items are complete.
1234End
Return

Key points

  • John Sloan broke with the established traditions of fine art, taking the city streets of New York as his subject. Along with Robert Henri and other members of the Ashcan School, Sloan captured the grittiness and energy of urban life in the early twentieth century.
  • This working class neighborhood is occupied by many different types of people, whom Sloan describes through their clothing and their gestures. His broad brushstrokes create a sense of excitement and instability. At the same time, Sloan preserves certain details (including the provocative title of the movie, Romance of the Harem), but refrains from any moral judgment.
  • Sloan was instrumental in the introduction of European modern art in America. He was part of the independent group known as The Eight, which revolted against the conservative National Academy of Design in 1908, and he also helped organize the Armory Show of 1913, which introduced American and European modernism to the general public.
  • Sloan’s interest in the lives of working class people was influenced by his Socialist politics. He supported Socialist causes and volunteered as the art editor for the political magazine, The Masses.

Go Deeper

This painting at the Toledo Museum of Art

Read about the Ashcan school of art

Read more about John Sloan and explore his archives and diaries

Learn about the 1913 Armory Show through this online exhibition of primary sources

See original issues of radical periodical The Masses, published from 1911 – 1917

Learn more about popular entertainment in the early 20th century

More to think about

Reginald Marsh, Wooden Horses, 1936, tempera on board, 61 x 101.6 cm (Wadsworth Atheneum Museum of Art

Reginald Marsh, Wooden Horses, 1936, tempera on board, 61 x 101.6 cm (Wadsworth Atheneum Museum of Art

Realist painters captured elements of everyday life, including the leisure activities and entertainment of the working classes. Compare John Sloan’s Movies with Reginald Marsh’s depiction of Coney Island, Wooden Horses. How would you describe the overall atmosphere and mood of each painting? What choices in terms of color, composition, and brushstroke contribute to that feeling? What details did each artist include to communicate ideas about class, society, and popular culture of the period?

 

Smarthistory images for teaching and learning:

More Smarthistory images…

Explore the diverse history of the United States through its art. Seeing America is funded by the Terra Foundation for American Art and the Alice L. Walton Foundation.