Over the last two centuries, artists in South Africa have responded to European colonialism in different ways.
19th - 20th century
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Jane Alexander, Butcher Boys
To acknowledge the truly violent nature of humankind is to implicate one’s self in a relationship to such atrocities.
Married Woman’s Apron (Ndebele peoples)
These decorated aprons were gifts from the groom’s family to his wife, and signified her new role in society.
William Kentridge, drawing from Tide Table (Soho in Deck Chair)
Why watch the tides when you can read about it in the newspaper? Kentridge comments on social class in this drawing.
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