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South Asia

600–1200 C.E.

Following the end of Gupta rule, art is once again produced in a number of diverse regional kingdoms

North + West

North + West

North + West

600–1200 C.E.

bengal buddhism grid

Ruins of the Buddhist Vihara at Paharpur

Deccan + South

Deccan + South

Deccan + South

600–1200 C.E.

  • View all content

Great-Relief-at-Mamallapuram-thumb

The Great Relief at Mamallapuram

shore-temple-thumb

Shore Temple, Mamallapuram

durga-thumb

Durga Slays the Buffalo Demon at Mamallapuram

ellora grid

The multireligious caves at Ellora

Lakshmana temple, Khajuraho, Chhatarpur District, Madhya Pradesh, India. 954 C.E. (Chandella period), sandstone. (photo: Christopher Voitus, CC BY-SA 3.0)

Lakshmana Temple, Khajuraho (India)

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Sri Lanka

Sri Lanka

Sri Lanka

600–1200 C.E.

tara grid

Statue of Tara, consort of Avalokiteshvara

All content | South Asia 600–1200 C.E.

Hoysaleshvara temple, Halebidu
Hoysaleshvara temple, Halebidu
The multireligious caves at Ellora
The multireligious caves at Ellora
Ellora caves
Ellora caves
Ruins of the Buddhist Vihara at Paharpur
Ruins of the Buddhist Vihara at Paharpur
Statue of Tara, consort of Avalokiteshvara
Statue of Tara, consort of Avalokiteshvara
Rajarajesvara temple, Tanjavur
Rajarajesvara temple, Tanjavur
Three Hindu gods
Three Hindu gods
Queen or goddess?
Queen or goddess?
Durga Slays the Buffalo Demon at Mamallapuram
Durga Slays the Buffalo Demon at Mamallapuram
Shore Temple, Mamallapuram
Shore Temple, Mamallapuram
The Great Relief at Mamallapuram
The Great Relief at Mamallapuram
Sacred space and symbolic form at Lakshmana Temple, Khajuraho (India)
Sacred space and symbolic form at Lakshmana Temple, Khajuraho (India)
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Selected Contributors

Edward Fosmire

Dr. Beth Harris

Farisa Khalid

Dr. Arathi Menon

Dr. Lisa N. Owen

Dr. Anisha Saxena

Dr. Cristin McKnight Sethi

Dr. Emma Natalya Stein

The British Museum

UNESCO

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Bank of America's Masterpiece Moment

Hasegawa Tōhaku, Pine Trees

with Masami Zenyia, Executive Director of the Tokyo National Museum

Crafted in the 16th century, this pair of six-panel screens is painted in ink on paper and showcases both Yamato-e and Chinese painting styles. The work features pine trees―a typical Japanese motif―and it has beautifully captured the richness of a Japanese landscape.

Watch the video
Learn more about Bank of America's Masterpiece Moment Close

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