“Romanticism lies neither in the subjects that an artist chooses nor in his exact copying of truth, but in the way he feels…."
—Charles Baudelaire
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Baron Antoine-Jean Gros, Napoleon Bonaparte Visiting the Pest House in Jaffa
Napoleon masterfully manipulated his image, and this painting meant for Parisian audiences is pure propaganda.
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Delacroix, Women of Algiers in Their Apartment
Delacroix's orientalist fantasy exhibited to great acclaim in the Paris Salon.
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Théodore Géricault, Raft of the Medusa
Géricault’s massive canvas takes its format from history painting, but its subject is ripped from the headlines.
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Eugène Delacroix, Greece on the Ruins of Missolonghi
Delacroix's painting is about much more than the Greek War for Independence—it is a universal statement about the cost of war.
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Eugène Delacroix, an introduction
Delacroix created dramatic images with an intensity of color and expression that no one else could match.
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Romanticism in France
In the decades following the French Revolution, this new movement began to flourish in France.
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Eugène Delacroix, Murals in the Chapel of The Holy Angels, Saint-Sulpice
Delacroix's unusual choice of scenes in these murals bewildered critics for over a century.
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Jean-Auguste-Dominique Ingres, Napoleon on His Imperial Throne
The eagles have landed in this imperial portrait of Napoleon inspired by antique and early modern sources.
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Eugène Delacroix, Liberty Leading the People
Bare-breasted with a bayonet? Liberty leads a revolution that won’t be televised but will be seen in the Paris Salon.
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Eugène Delacroix, Scene of the Massacre at Chios
Delacroix’s scene of Greek survivors is anything but heroic and offers no relief to the suffering depicted.
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Eugène Delacroix, The Death of Sardanapalus
Delacroix paints an anti-hero who presides over a chaotic, violent scene of corruption and luxury.
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Between Neoclassicism and Romanticism: Ingres, La Grande Odalisque
How did the French imagine the exotic? Here, Ingres trades a classical Venus for a nude in a harem.