Virtually explore the Smithsonian’s National Museum of Asian Art in Washington, D.C. with Smarthistory as your guide
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Timur's equestrian image would have been the most recognizable embodiment of his royal legacy in the Zafarnama.
Two folding screens from Edo Japan show a lavish golden garden and 36 poem cards by the famous calligrapher Hon'ami Kōetsu.
The composition of the painting seems to have borrowed depictions of the Three Laughers of Tiger Creek, a popular allegorical story about the meeting of three famous figures.
The smoke from incense was used as a link between the earthly realm and the heavenly world.
Artists during the Ming dynasty often honored their patrons by portraying them in a garden studio.
The artwork is based on a well-known Chinese folktale about a group of monkeys attempting to capture the moon.
This Chinese calligraphy piece is written on a folding fan.
Painted in lavish mineral-based colors of blue, green, and brownish yellow, this painting is a typical “blue-and-green” landscape in Chinese art
A scholar playing a zither while enjoying some beautiful scenery is a popular genre in Chinese landscape paintings.
This handscroll vividly portrays eleven dancing dragons.
This painting depicts the most important festival in China—the Lunar New Year.
This canteen exemplifies the dynamic flow of ideas and objects between the Islamic world and China that invigorated both artistic traditions.