The painting describes a gathering underneath a pine tree next to a bridge. Reading from left to right, the three figures are: Laozi, founder of Daoism; Siddhartha Gautama, also known as Shakyamuni, founder of Buddhism; and Confucius, founder of Confucianism. Confucius approaches from the right, folding his hands in a bow to Shakyamuni, the Historical Buddha. Shakyamuni, barefooted, wears a red robe. He can be easily identified by his usnisa, a cranial bump symbolizing wisdom. Laozi stands behind Shakyamuni and looks at him with a happy smile. He holds a roll of book in his hands, most likely his Daodejing (The Classic of the Way and Virtue).
The composition of the painting seems to have borrowed depictions of the Three Laughers of Tiger Creek, a popular allegorical story about the meeting of three famous figures. The Buddhist monk Huiyuan (334–416) lived in a temple as a recluse. He had vowed never to cross the stone bridge over Tiger Creek. One day, the Confucian poet Tao Yuanming (365–427) and the Daoist philosopher Lu Xiujing (406–477) came to visit him. The three men became so deeply absorbed in conversation that when Huiyuan eventually walked with his friends to say farewell, he crossed the bridge without noticing it. Hence the three men laughed together, which signifies the harmony among the three main religions of the time. The artist here has cleverly replaced the three historical figures with the three spiritual founders.
Confucianism and Daoism are the two great indigenous philosophical traditions of China. Confucianism became accepted as state ideology in the Han dynasty (206 B.C.E.–220 C.E.). Daoism came to the fore as a popular belief system around the same time. Meanwhile, Buddhism was introduced to China from India. The three beliefs had since then both conflicted with and complemented each other. The actual blending of the three philosophies did not initiate until the tenth century. During the Ming dynasty (1368–1644), when this painting was created, the harmony among the three faiths became a prevalent thought.
This resource was developed for Teaching China with the Smithsonian, made possible by the generous support of the Freeman Foundation