This handscroll is more than sixteen feet long. It vividly portrays eleven dragons. They are dancing on high cliffs, whirling through dense clouds, and dashing in and out of waves. As they roll their eyes, flex their claws, and open their mouths to roar, the whole universe seems to be instilled with their immense powers. The dragons are depicted as a combination of the horns of a deer, head of an ox, eyes of a ghost, mouth of a donkey, beard of a catfish, mane of a lion, scales of a carp, claws of an eagle, and body of a serpent. The painting is executed with monochrome ink. The artist skillfully integrates random splashes of ink with painstaking fine line drawings.
Images of dragons in Chinese art were depicted as early as the Neolithic period (c. 7000–1700 B.C.E.). The symbolism of the earliest dragons on jade and bronze objects is still a mystery. However, by the Han dynasty (206 B.C.E.–220 C.E.), dragons were believed to be water creatures that reside in rivers and oceans. They are divine rulers of moving water. They can fly into clouds to control the weather and bring life-giving rain. Dragons are also symbols of masculine power and imperial majesty. In Chinese artworks, dragons are often depicted as chasing or catching a flaming pearl, representing wisdom and enlightenment. Dragons have been so popular throughout Chinese art and culture that the Chinese consider themselves “descendants of the dragon.”
The scroll was painted by an anonymous Ming dynasty (1368–1644) artist. He included a separate remark at the end of the painting, which described the movement of the dragons and praised their strength and power. Collectors’ seals appear at the beginning and end of the painting and after the remark as well. The writings and seals help us understand the background of the painting and the history of its circulation.
This resource was developed for Teaching China with the Smithsonian, made possible by the generous support of the Freeman Foundation