Burgundian and adjacent territories

Ruled by a succession of very wealthy Dukes, Burgundy (today parts of France, Germany, Luxembourg, Belgium and the Netherlands) produced some of the most important art of the 15th century.

1400 - 1500 (Northern Renaissance)

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Hans Memling, <em>Saint Ursula Shrine</em>
Hans Memling, Saint Ursula Shrine

Each panel of this reliquary is carefully painted with scenes from Saint Ursula's pilgrimage.

Rogier van der Weyden, <em>The Seven Sacraments</em>
Rogier van der Weyden, The Seven Sacraments

Van der Weyden's detailed painting invites the viewer to spend time with each of the seven sacraments.

Jan van Eyck, <em>Madonna with Canon Joris van der Paele</em>
Jan van Eyck, Madonna with Canon Joris van der Paele

Van Eyck's painting is wonderfully complex, from the fine wrinkles of van der Paele's face to the shiny reflection of Saint George's armor.

The Holy Thorn Reliquary of Jean, duc de Berry
The Holy Thorn Reliquary of Jean, duc de Berry

Jean, duc de Berry spared no expense for this dazzling reliquary containing a thorn from the Crown of Thorns.

Stefan Lochner, <em>Madonna of the Rose Bower</em>
Stefan Lochner, Madonna of the Rose Bower

The overriding quality of Lochner's Madonna of the Rose Bower is an intense sweetness.

Hans Memling, <em>Diptych of Maarten van Nieuwenhove</em>
Hans Memling, Diptych of Maarten van Nieuwenhove

Diptych of Maarten van Nieuwenhove is one of the most important diptychs of the fifteenth century, both for its innovative subject matter and condition.

Rogier van der Weyden, <i>Saint Luke Drawing the Virgin</i>
Rogier van der Weyden, Saint Luke Drawing the Virgin

What does the Virgin Mary look like?

Petrus Christus, <em>A Goldsmith in his Shop</em>
Petrus Christus, A Goldsmith in his Shop

We stand on a Bruges street and approach a goldsmith’s shop. Hang on, is that a falcon? Looks like we have company.

Hugo van der Goes, <em>Portinari Altarpiece</em>
Hugo van der Goes, Portinari Altarpiece

This particular artwork perfectly embodies all the things that northern European painters were thought to do best.

Fit for a duke: Broederlam’s <em>Crucifixion Altarpiece</em>
Fit for a duke: Broederlam’s Crucifixion Altarpiece

Introducing a lavish altarpiece with vibrant images. Exploring the narrative and visual threads that connect its featured stories.

The question of pregnancy in Jan van Eyck’s <em>Arnolfini Portrait</em>
The question of pregnancy in Jan van Eyck’s Arnolfini Portrait

Van Eyck’s enigmatic and iconic double portrait often prompts the question: is the female figure pregnant?

Rogier van der Weyden, <em>The Crucifixion, with the Virgin and Saint John the Evangelist Mourning</em>
Rogier van der Weyden, The Crucifixion, with the Virgin and Saint John the Evangelist Mourning

Mary cries and falls into John’s arms. Rogier’s precise observations accentuate the emotional impact of this scene.

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