When you get outside Paris, you will find Romanesque and Gothic churches of astounding beauty. In Paris, there's the Louvre, but make time for smaller museums, like the Musée Moreau and churches like Saint-Sulpice (where you can see newly-restored paintings by Delacroix).
Some background
videos + essays
Dada’s “Approximate Man”: A Portrait of Tristan Tzara by Marcel Janco
This mask is a rare document of the Dada movement and an embodiment of the so-called “approximate man.”
Fit for a duke: Broederlam’s Crucifixion Altarpiece
Introducing a lavish altarpiece with vibrant images. Exploring the narrative and visual threads that connect its featured stories.
Religion: spotlight — Chauvet cave
The most recognizable prehistoric works of art are cave paintings—often located deep within narrow passageways and larger caverns.
The Cathedral of Notre-Dame, Paris
The fire that engulfed the Cathedral of Notre Dame in Paris was a terrible tragedy—though not an unusual one.
Marie-Guillemine Benoist, Portrait of Madeleine
This portrait of an unnamed woman speaks volumes about slavery, politics, and gender in revolutionary France.
Eugène Delacroix, Murals in the Chapel of The Holy Angels, Saint-Sulpice
Delacroix's unusual choice of scenes in these murals bewildered critics for over a century.
Raoul Hausmann, Spirit of the Age: Mechanical Head
A century before democracy was tested by social media gone rogue, Hausmann understood the dark side of technology.
Leonardo, The Mona Lisa
Such a tease! This ambiguous portrait plays psychological and optical games with the viewer.
A summer day in Paris: Berthe Morisot’s Hunting Butterflies
The subject takes control over the outdoor setting, expressing her independence in spite of limitations.
Pablo Picasso and the new language of Cubism
Picasso was a technically skilled draftsman—so why did he choose to take his forms apart?
How to recognize Monet: The Basin at Argenteuil
In the suburbs, Parisians escaped the pressures of modern life. Monet painted their sun-drenched pleasures.
How to recognize Renoir: The Swing
Renoir wanted to forget everything he knew about how to paint so that he could render light as it really is.