When you get outside Paris, you will find Romanesque and Gothic churches of astounding beauty. In Paris, there's the Louvre, but make time for smaller museums, like the Musée Moreau and churches like Saint-Sulpice (where you can see newly-restored paintings by Delacroix).
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Napoleon masterfully manipulated his image, and this painting meant for Parisian audiences is pure propaganda.
Delacroix's orientalist fantasy exhibited to great acclaim in the Paris Salon.
The title of the photograph suggests that this image of lines and dots in wavy bands represents a walking soldier. But how?
On the island of Samothrace, the wind whipped the clothing of this stone goddess of victory.
Géricault’s massive canvas takes its format from history painting, but its subject is ripped from the headlines.
Above the entrance to Amiens, animated figures and flowing drapery attest to the increasing naturalism of Gothic sculpture in the 13th century.
Hesse proves that powerful, emotionally charged art doesn't have to be pretty.
This ivory triptych was an object of prayer and a vision of paradise for Byzantine viewers following iconoclasm
Fashion and Politics in Franz Xaver Winterhalter’s Portrait of The Empress Eugénie surrounded by her Ladies-in-Waiting
Fashion's power to reveal the nuances of political power, gender, and ethnicity.
Delacroix's painting is about much more than the Greek War for Independence—it is a universal statement about the cost of war.
Peter Paul Rubens, The Apotheosis of Henry IV and the Proclamation of the Regency of Marie de’ Médici
The painting is an overwhelming and learned piece of artistic propaganda.
The total or partial destruction of churches by fire was a fairly common occurrence in medieval Europe.