The walls opened up and light poured in...
c. 1200–1400 C.E.
The walls opened up and light poured in...
c. 1200–1400 C.E.
We're adding new content all the time!
This lavishly illuminated book enshrines an earlier understanding of the natural world.
This visually dazzling manuscript helped lift King Louis IX to sainthood. A dedication page shows the book’s illuminator at work.
For their medieval viewers, ivory composite caskets could function as visual surveys of the genre of love.
Above the entrance to Amiens, animated figures and flowing drapery attest to the increasing naturalism of Gothic sculpture in the 13th century.
Images of the side wound and the mystical tradition from which they emerge have provided fertile material for scholars engaged in “queering” the Middle Ages.
The fire that engulfed the Cathedral of Notre Dame in Paris was a terrible tragedy—though not an unusual one.
Mary’s swaying hip, elongated neck, and tender touch of the Christ Child all imbue this golden sculpture with grace. A pomegranate signals death.
Glass fills a staggering three quarters of this chapel’s walls. The entire building serves as a reliquary for the crown of thorns.
Weightless walls of glass and lifelike sculpture—in its freedom and invention, the great cathedral at Reims typifies High Gothic style.
A luxury reserved for royals, moralized bibles paired image and text. Their commentary compared 13th-century bad guys to biblical villains.
Chartres boasts a multicolored ceiling and famous blue stained glass. The west front survived a fire, as did the miraculous tunic of the Virgin.
Evoking the heavenly through shimmering, colored light.