Minimalism and Conceptual Art opened the way for a variety of experimental practices in different media.
c. 1965 - 1980
videos + essays
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Harry Gamboa Jr., À la Mode, from the Asco era
Striking dramatic poses, the artists of Asco project cinematic fantasy and evoke mystery in À La Mode.
Malaquías Montoya, Vote Register
Montoya’s silkscreen is obvious in its address to viewers: register and vote.
Melvin Edwards, Some Bright Morning
With its metal projections evocative of weapons and shrapnel, Some Bright Morning symbolizes the struggle against oppressive violence.
Olga de Amaral, El gran muro
In El gran muro, densely-piled woven strips of red, yellow, gray, and blue are meant to evoke cascading leaves.
Barbara Zucker, Time Signatures: Homage to Linda and Lucy. My Luminaries
Beauty created from the lines on the faces of Linda Nochlin and Lucy Lippard.
Senga Nengudi, Linda Goode Bryant and the Just Above Midtown Gallery
Just Above Midtown Gallery, founded by Linda Goode Bryant, was a space of artistic experimentation and innovation for Black artists and artists of color in New York City.
Lynda Benglis – ‘Form and Texture Create the Magic’
The sculptures of Lynda Benglis express nature and feeling through their organic forms and textures.
Michelangelo Pistoletto, Newspaper Sphere
A key artist of the arte povera movement, Michelangelo Pistoletto came to London in May to recreate a seminal 1966 performance in which he rolled a ball of newspapers through the streets of Turin
Mario Merz, Giap’s Igloo
Giap’s Igloo by Mario Merz invites you to consider your actions, and how those actions contribute to our larger existence.
Robert Colescott, I Gets a Thrill Too When I Sees De Koo
Colescott asks—what are the implicit messages about Black womanhood embedded in American visual culture?
Kay WalkingStick, Me and My Neon Box
Me and My Neon Box embodies Kay WalkingStick’s process of working through questions about painting, sexuality, gender, and race.
