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Creating + conserving

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What is conservation?
Art Conservation Behind the Scenes
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The conservator’s eye: Rembrandt, Aristotle with a Bust of Homer
The conservator’s eye: Madame Cézanne in the Conservatory
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Tempera paint
Oil paint in Venice
Renaissance Watercolours: materials and techniques
Gold-ground panel painting
How to stretch a large canvas
Almost Invisible: The Cartoon Transfer Process
Investigating Rothko’s Technique
About color
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Making Purple: The Science of Art
Making Green: Tempera versus Oil
The Alchemy of Color and Chemical Change in Medieval Manuscripts
How to paint like...
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How to paint like Willem de Kooning
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Art Terms in Action: Paint
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Conserving
Remaking a fourteenth-century triptych
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Ghent Altarpiece project overview
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Jan Gossart – Conservation Discoveries
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Quarrying and carving marble
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Introduction to printmaking
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Relief process
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Introduction to lithography
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Making manuscripts
Renaissance Watercolours: materials and techniques
Drawing with Charcoal: Historical Techniques of 19th-Century France
Science and Paper: Conserving a Drypoint by Michael Heizer
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Henri Matisse: Conserving The Swimming Pool
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Before photography (1 of 12)
The Daguerreotype (2 of 12)
Talbot’s Processes (3 of 12)
The Cyanotype (4 of 12)
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Greek Vase-Painting, an introduction
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Making Greek vases
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Mosaic, metalwork and glass
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William Morris, The Bullerswood Carpet
Conserving the Emperor’s Carpet
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Conservation: Indian jama
Frames
Choosing
Framing Christina’s World by Andrew Wyeth
Conserving
Behind the scenes of the framing department at The National Gallery, London
Van Dyck’s Self-portrait: The Frame and its Conservation
Architecture
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Kasbah Taourirt: Conserving Earthen Heritage in Morocco
Conservation Reel archive
What is conservation?
Lab Tour: Conservation Science
IMA Conservation: Examining a Work
IMA Conservation: The Oddy Test
IMA Conservation: Documentation Imaging
IMA Conservation: 5 Questions with Richard McCoy
IMA Conservation: 5 Questions with Linda Witkowski
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IMA Conservation: 5 Questions with Gregory Smith
IMA Conservation: 5 Questions with David Miller
IMA Conservation: 5 Questions with Amanda Holden
IMA Conservation: 5 Questions with Aaron Steele
Manuscripts and works on paper
How to Examine a Work on Paper
Wrapping Paper Objects for Hand Transport
Painting
Conservation Notes: Tom Thomson’s The West Wind
Finding the Lost Crucifix in a Perugino Panel Painting
Finding the Original Context of Rosselli’s Kneeling Angel
Examining a Panel Painting
IMA Conservation: Cleaning a Painting
Inpainting a Van Dyck
IMA Conservation: Pigment Analysis with XRF Spectrometry
What X-Rays of a Vivarini Reveal About Its Past
Examining a Veronese with XRF Spectrometry
Sebastiano Mainardi: The Science of Art Installation, Behind the Scenes
Sculpture + installation
Lab Tour: Objects and Variable Art
Preserving Art: Tara Donovan's Untitled (Plastic Cups)
Tara Donovan’s Untitled (Mylar)
Artist Max Dean on the conservation of As Yet Untitled
Talking Chaos with Roland Wetzel
A Conversation with Robert Irwin on Light and Space III
IMA Conservation: The Lightbulbs in Light and Space III
Evidence of Lost Wax Casting
Textiles
IMA Conservation: Preparing a Mola Garment for Display
IMA Conservation: Preparing Mola Textiles for Display
Frames
Examining a 17th-century frame
Architecture
The Making of the Bartholomew County Veterans Memorial
Modern Architecture as Heritage
Talks + symposia
Innovative Approaches to Conservation
Conservation Data and Digital Asset Management
Moving Responsibilities: The Care of Performance-Based Sculpture
The Invention of Glory: A Symposium
The Plus/Minus Dilemma: The Way Forward in Environmental Guidelines

Tempera paint

by Dr. Beth Harris and Dr. Steven Zucker

 

Smarthistory images for teaching and learning:
Giotto, The Entombment of Mary, detail with MaryGiotto, The Entombment of Mary, detail with conversing angelsGiotto, St. Francis of Assisi Receiving the Stigmata, c. 1295-1300Giotto, St. Francis of Assisi Receiving the Stigmata, c. 1295-1300 with detail of Francis's face and handsGiotto, St. Francis of Assisi Receiving the Stigmata, c. 1295-1300 with ViewersFra Fillippo Lippi, Portrait of a Man and Woman at a Casement detail with faces

More Smarthistory images…

Cite this page as: Dr. Beth Harris and Dr. Steven Zucker, "Tempera paint," in Smarthistory, November 25, 2015, accessed February 27, 2021, https://smarthistory.org/tempera-paint/.

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