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Creating + conserving

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The conservator's eye
The conservator's eye: Marble statue of a wounded warrior
The conservator's eye: Taddeo Gaddi, Saint Julian
The conservator’s eye: a stained glass Adoration of the Magi
The conservator’s eye: Rembrandt, Aristotle with a Bust of Homer
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Tempera paint
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How to stretch a large canvas
Almost Invisible: The Cartoon Transfer Process
Investigating Rothko's Technique
How to paint like...
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About color
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Making Purple: The Science of Art
Making Green: Tempera versus Oil
The Alchemy of Color and Chemical Change in Medieval Manuscripts
How to paint like...
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How to paint like Willem de Kooning
How to paint like Franz Kline
How to paint like Yayoi Kusama
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Art Terms in Action: Paint
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Introduction to printmaking
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Relief process
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Introduction to lithography
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Making manuscripts
Drawing with Charcoal: Historical Techniques of 19th-Century France
Science and Paper: Conserving a Drypoint by Michael Heizer
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Henri Matisse: Conserving The Swimming Pool
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Before photography (1 of 12)
The Daguerreotype (2 of 12)
Talbot's Processes (3 of 12)
The Cyanotype (4 of 12)
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Greek Vase-Painting, an introduction
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Making Greek vases
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Conserving
William Morris, The Bullerswood Carpet
Conserving the Emperor's Carpet
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Conserving
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Van Dyck's Self-portrait: The Frame and its Conservation
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Kasbah Taourirt: Conserving Earthen Heritage in Morocco
Conservation Reel archive
What is conservation?
Lab Tour: Conservation Science
IMA Conservation: Examining a Work
IMA Conservation: The Oddy Test
IMA Conservation: Documentation Imaging
IMA Conservation: 5 Questions with Richard McCoy
IMA Conservation: 5 Questions with Linda Witkowski
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IMA Conservation: 5 Questions with David Miller
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Manuscripts and works on paper
How to Examine a Work on Paper
Wrapping Paper Objects for Hand Transport
Painting
Conservation Notes: Tom Thomson's The West Wind
Finding the Lost Crucifix in a Perugino Panel Painting
Finding the Original Context of Rosselli's Kneeling Angel
Examining a Panel Painting
IMA Conservation: Cleaning a Painting
Inpainting a Van Dyck
IMA Conservation: Pigment Analysis with XRF Spectrometry
What X-Rays of a Vivarini Reveal About Its Past
Examining a Veronese with XRF Spectrometry
Sebastiano Mainardi: The Science of Art Installation, Behind the Scenes
Sculpture + installation
Lab Tour: Objects and Variable Art
Preserving Art: Tara Donovan's Untitled (Plastic Cups)
Tara Donovan's Untitled (Mylar)
Artist Max Dean on the conservation of As Yet Untitled
Talking Chaos with Roland Wetzel
A Conversation with Robert Irwin on Light and Space III
IMA Conservation: The Lightbulbs in Light and Space III
Evidence of Lost Wax Casting
Textiles
IMA Conservation: Preparing a Mola Garment for Display
IMA Conservation: Preparing Mola Textiles for Display
Frames
Examining a 17th-century frame
Architecture
The Making of the Bartholomew County Veterans Memorial
Modern Architecture as Heritage
Talks + symposia
Innovative Approaches to Conservation
Conservation Data and Digital Asset Management
Moving Responsibilities: The Care of Performance-Based Sculpture
The Invention of Glory: A Symposium
The Plus/Minus Dilemma: The Way Forward in Environmental Guidelines

How to stretch a large canvas

by Corey D'Augustine

 

Video from The Museum of Modern Art

Cite this page as: Corey D'Augustine, "How to stretch a large canvas," in Smarthistory, May 5, 2017, accessed August 11, 2020, https://smarthistory.org/how-to-stretch-a-large-canvas-in-the-studio/.

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At Smarthistory we believe art has the power to transform lives and to build understanding across cultures. We believe that the brilliant histories of art belong to everyone, no matter their background. Smarthistory’s free, award-winning digital content unlocks the expertise of hundreds of leading scholars, making the history of art accessible and engaging to more people, in more places, than any other provider.

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