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Creating + conserving

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The conservator's eye
The conservator's eye: Marble statue of a wounded warrior
The conservator's eye: Taddeo Gaddi, Saint Julian
The conservator’s eye: a stained glass Adoration of the Magi
The conservator’s eye: Rembrandt, Aristotle with a Bust of Homer
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Tempera paint
Oil paint in Venice
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Almost Invisible: The Cartoon Transfer Process
Investigating Rothko's Technique
How to paint like...
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About color
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Making Purple: The Science of Art
Making Green: Tempera versus Oil
The Alchemy of Color and Chemical Change in Medieval Manuscripts
How to paint like...
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How to paint like Willem de Kooning
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Art terms in action
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Art Terms in Action: Paint
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Ghent Altarpiece project overview
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Jan Gossart – Conservation Discoveries
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Michael Gallagher on Everhard Jabach and His Family
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Quarrying and carving marble
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Bronze casting using the direct lost-wax method
Working jade
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Contemporary Art Conservation at Smithsonian's Hirshhorn Museum
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Introduction to printmaking
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Relief process
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Introduction to lithography
Making and conserving manuscripts and drawings
Making manuscripts
Drawing with Charcoal: Historical Techniques of 19th-Century France
Science and Paper: Conserving a Drypoint by Michael Heizer
Conserving Old Master Drawings
Henri Matisse: Conserving The Swimming Pool
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Before photography (1 of 12)
The Daguerreotype (2 of 12)
Talbot's Processes (3 of 12)
The Cyanotype (4 of 12)
The Collodion process (5 of 12)
The Albumen Print (6 of 12)
The Platinum Print (7 of 12)
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Making
Greek Vase-Painting, an introduction
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Making Greek vases
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Ancient and Byzantine Mosaic Materials
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Conserving
William Morris, The Bullerswood Carpet
Conserving the Emperor's Carpet
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Framing Christina's World by Andrew Wyeth
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Behind the scenes of the framing department at The National Gallery, London
Van Dyck's Self-portrait: The Frame and its Conservation
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Kasbah Taourirt: Conserving Earthen Heritage in Morocco
Conservation Reel archive
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Lab Tour: Conservation Science
IMA Conservation: Examining a Work
IMA Conservation: The Oddy Test
IMA Conservation: Documentation Imaging
IMA Conservation: 5 Questions with Richard McCoy
IMA Conservation: 5 Questions with Linda Witkowski
IMA Conservation: 5 Questions with Kristen Adsit
IMA Conservation: 5 Questions with Gregory Smith
IMA Conservation: 5 Questions with David Miller
IMA Conservation: 5 Questions with Amanda Holden
IMA Conservation: 5 Questions with Aaron Steele
Manuscripts and works on paper
How to Examine a Work on Paper
Wrapping Paper Objects for Hand Transport
Painting
Conservation Notes: Tom Thomson's The West Wind
Finding the Lost Crucifix in a Perugino Panel Painting
Finding the Original Context of Rosselli's Kneeling Angel
Examining a Panel Painting
IMA Conservation: Cleaning a Painting
Inpainting a Van Dyck
IMA Conservation: Pigment Analysis with XRF Spectrometry
What X-Rays of a Vivarini Reveal About Its Past
Examining a Veronese with XRF Spectrometry
Sebastiano Mainardi: The Science of Art Installation, Behind the Scenes
Sculpture + installation
Lab Tour: Objects and Variable Art
Preserving Art: Tara Donovan's Untitled (Plastic Cups)
Tara Donovan's Untitled (Mylar)
Artist Max Dean on the conservation of As Yet Untitled
Talking Chaos with Roland Wetzel
A Conversation with Robert Irwin on Light and Space III
IMA Conservation: The Lightbulbs in Light and Space III
Evidence of Lost Wax Casting
Textiles
IMA Conservation: Preparing a Mola Garment for Display
IMA Conservation: Preparing Mola Textiles for Display
Frames
Examining a 17th-century frame
Architecture
The Making of the Bartholomew County Veterans Memorial
Modern Architecture as Heritage
Talks + symposia
Innovative Approaches to Conservation
Conservation Data and Digital Asset Management
Moving Responsibilities: The Care of Performance-Based Sculpture
The Invention of Glory: A Symposium
The Plus/Minus Dilemma: The Way Forward in Environmental Guidelines

Ancient and Byzantine Mosaic Materials

by Art Institute of Chicago

Video from the Art Institute of Chicago

Smarthistory images for teaching and learning:
Pair of Centaurs Fighting Cats of PreyPair of Centaurs Fighting Cats of PreyPair of Centaurs Fighting Cats of PreyPair of Centaurs Fighting Cats of PreyPair of Centaurs Fighting Cats of PreyPair of Centaurs Fighting Cats of PreyPair of Centaurs Fighting Cats of PreyHand of God, apse mosaic, Sant'Apollinare in ClasseElijah, apse mosaic, Sant'Apollinare in ClasseSant'Apollinare, apse mosaic, Sant'Apollinare in ClasseApse window frieze mosaic, Sant'Apollinare in ClasseApse mosaic, Sant'Apollinare in ClasseApse mosaic, Sant'Apollinare in ClasseGarden (left), Sant'Apollinare, apse mosaic, Sant'Apollinare in Classe

More Smarthistory images…

Cite this page as: Art Institute of Chicago, "Ancient and Byzantine Mosaic Materials," in Smarthistory, February 7, 2016, accessed January 21, 2020, https://smarthistory.org/ancient-and-byzantine-mosaic-materials-2/.

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