Dr. Kris Belden-Adams

Kris Belden-Adams is an Associate Professor of Art History at the University of Mississippi and specializes in the history of photography. She is the author of the books Photography, Temporality, Modernity: Time Warped (2019), and Photography, Eugenics, ‘Aristogenics’: Picturing Privilege (2020).

Dorothea Lange, Migrant Mother

by Dr. Kris Belden-Adams

Esther Bubley, Waiting for the Bus at the Memphis Terminal

by Dr. Kris Belden-Adams

Alphonse Bertillon, Mugshot and Record of Francis Galton

by Dr. Kris Belden-Adams

Joseph Nicéphore Niépce, View from the Window at Le Gras

by Dr. Kris Belden-Adams

John Whipple, William Bond, and George Bond, The Moon, No. 37

by Dr. Kris Belden-Adams

Édouard Baldus, Cloister of St. Trophîme, Arles

by Dr. Kris Belden-Adams

Francis Galton, eugenics, and photography

by Dr. Kris Belden-Adams

Harold Edgerton, Milk-Drop Coronet Splash

by Dr. Kris Belden-Adams

Étienne-Jules Marey, Joinville Soldier Walking

by Dr. Kris Belden-Adams

Louis-Jacques-Mandé Daguerre, The Artist’s Studio / Still Life with Plaster Casts

by Dr. Kris Belden-Adams

Eadweard Muybridge, The Horse in Motion

by Dr. Kris Belden-Adams

Migrant Mother, behind the Icon

by Dr. Kris Belden-Adams

Alfred Stieglitz, The Steerage

by Dr. Kris Belden-Adams