These artists explored subconscious thought in order to bypass restrictions placed on people by social convention.
1922 - 1939
Beginner's guide
Influenced by French psychology and the work of Sigmund Freud, the Surrealists experimented with practices that allowed them to explore subconscious thought and identity and bypass restrictions placed on people by social convention.
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André Masson, Battle of Fishes
The Surrealist interest in chance, subconscious creativity, and metamorphosis of forms can be seen in Masson's Battle of Fishes
Hector Hyppolite, Ogou Feray also known as Ogoun Ferraille
Hector Hyppolite created many paintings that are tied to Vodou for the burgeoning Haitian art market of the 1940s.
A brief guide to Egyptian Surrealism
In 1938, a group of 37 artists, writers and thinkers in Cairo signed a manifesto titled ‘Long Live Degenerate Art’. This marked the start of the group known as ‘Art and Liberty’, and the birth of a distinctly Egyptian style of Surrealism.
Rosa Rolanda, Self-Portrait
Rolanda, a close friend of Frida Kahlo, explores her Mexican identity in the 1930s with surrealism and a volcano
Meret Oppenheim, Object (Fur-covered cup, saucer, and spoon)
This furry tea service was a touchstone for Surrealism, but the artist was a victim of her own success.
Surrealist Techniques: Collage
The Surrealists saw collage as a means to enact what they considered to be the fundamental poetic activity of the unconscious mind.
Surrealist Photography
Photographs were used by the Surrealists to call into question the nature of reality.
Surrealist Exhibitions
Surrealist exhibitions broke down conventional distinctions between art and non-art.
Surrealist Techniques: Subversive Realism
Everything is, in the end, a question of representation (in words or images) in which we choose to believe, or not.
Surrealist Techniques: Automatism
Automatism was a group of techniques used by the Surrealists to facilitate the direct and uncontrolled outpouring of unconscious thought.
Surrealism and Psychoanalysis
The Surrealists were interested in the unconscious as a creative source.
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