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Introductory guides

Looking at art
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Why art matters
Why art matters (why look at art?)
How art can help you analyze
The Power to Look
Describing what you see: sculpture
Elements of Art
Line
Shape and Form
Color
Space
Texture
Surface and Depth
Light and shadow
Principles of composition
Balance, symmetry, and emphasis
Movement
Proportion and scale
Pattern, repetition and rhythm, variety and unity
Approaches to art history
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An introduction to art history
What is art history and where is it going?
Introduction to art historical analysis
How to do visual (formal) analysis
Art historical analysis with Goya's Third of May, 1808
A brief history of the representation of the body in Western painting
A brief history of the representation of the body in Western sculpture
The language of art history
Naturalism, realism, abstraction and idealization
Contrapposto explained
Foreshortening explained
Chiaroscuro explained
Linear perspective explained
Atmospheric perspective explained
Classical orders of architecture explained
Brief histories of art and culture
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A brief history of the cultures of Asia
A brief history of Western culture
What maps tell us
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Must art be beautiful?
Is there a difference between art and craft?
What's the point of realism?
What made art valuable: then and now?
Current issues in art history
Why you don't like art history
Art about Migration
What does art tell us about gender?
Should Art Be Publicly Funded?
What does resistance look like?
The Case for Copying
The case for nudity
Trending artists
Behind the Banksy Stunt
Tools for understanding museums
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The case for museums
A brief history of the art museum
Museums and politics: the Louvre, Paris
Art Museums and (Art) Objects
Artists in and against the Museum
The changing social functions of art museums
Looking at Art Museums
Remake the Met
How museums shape meaning
Tools for understanding religion in art
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Beginner's guide
The five major world religions
A brief history of religion in art
Christianity
Christianity, an introduction
A new pictorial language: the image in Early Medieval art
Standard scenes from the life of Christ in art
Architecture and liturgy
The audacity of Christian art
The problem with Christ
Christ is not like a snail: Signs and symbols
Putting God in his place: here, everywhere, and nowhere
Time and eternity: Yesterday, today, and always
This world and the next: Christ on earth; Christ in heaven
So near and yet so far: visions and thresholds
Unspeakable images: when words fail
Islam
Introduction to Islam
The Five Pillars of Islam
Hajj
The Kaaba
Introduction to mosque architecture
Hinduism
Hinduism and Buddhism, an introduction
Beliefs made visible: Hindu art in South Asia
Hindu temples
Varanasi: sacred city
Buddhism
The historical Buddha
The stupa
Images of Enlightenment: Aniconic vs. Iconic Depictions of the Buddha in India
Four Buddhas at the American Museum of Natural History
Bodh Gaya: center of the Buddhist world
Beliefs made visible: Buddhist art in South Asia
Buddhist Monasteries
Judaism
Judaism, an introduction
Jewish history to the middle ages
Jewish history 1750 to WW II
Jewish history in the post-war period
For the very beginner
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Ancient Greek and Roman art
Medieval and Byzantine art
Renaissance art
Baroque and Rococo
Nineteenth-century art
Introduction to Twentieth-Century Art
Introduction to Contemporary Art

The Case for Copying

by The Art Assignment

Speaker: Sarah Urist Green

Cite this page as: The Art Assignment, "The Case for Copying," in Smarthistory, August 2, 2017, accessed March 31, 2020, https://smarthistory.org/case-for-copying/.

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At Smarthistory we believe art has the power to transform lives and to build understanding across cultures. We believe that the brilliant histories of art belong to everyone, no matter their background. Smarthistory’s free, award-winning digital content unlocks the expertise of hundreds of leading scholars, making the history of art accessible and engaging to more people, in more places, than any other provider.

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