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Looking at art
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Why art matters
Why art matters (why look at art?)
Must art be beautiful? Picasso’s Old Guitarist
How art can help you analyze
The Power to Look
Alejandro Cesarco, What does looking mean?
What work of art inspired you?
Elements of Art
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Introduction to art historical analysis
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Art historical analysis with Goya’s Third of May, 1808
Describing what you see: sculpture
Approaches to art history
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An introduction to art history
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Art history and world art history
Ever wondered… why people become art historians?
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Art and empathy
A brief history of the representation of the body in Western painting
A brief history of the representation of the body in Western sculpture
The language of art history
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Naturalism, realism, abstraction and idealization
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Methods of art history
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About chronological periods in the Islamic world
Africa historical overview: to 1600
Africa historical overview: from the 1600s to the present
Questions in art history
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Why are there so few female artists?
Must art be beautiful?
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Why you don’t like art history
Cultural heritage “in crisis”
How Climate Changes Art
The $150,000 Banana
Art about Migration
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Should Art Be Publicly Funded?
Why Do Corporations Buy Art?
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The Art Market and taxes
The Case for Copying
The case for nudity
Trending artists
Behind the Banksy Stunt
Art, Pride, and the Rainbow Flag
Tools for understanding museums
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The case for museums
A brief history of the art museum
Museums and politics: the Louvre, Paris
Art Museums and (Art) Objects
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The changing social functions of art museums
Looking at Art Museums
Local art appropriation in France—a study of the loot in the Louvre Museum
Remake the Met
How museums shape meaning
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Beginner's guide
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Christianity, an introduction
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A new pictorial language: the image in Early Medieval art
The life of Christ in medieval and Renaissance art
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Who’s who? How to recognize saints…
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The problem with Christ
Christ is not like a snail: Signs and symbols
Putting God in his place: here, everywhere, and nowhere
Time and eternity: Yesterday, today, and always
This world and the next: Christ on earth; Christ in heaven
So near and yet so far: visions and thresholds
Unspeakable images: when words fail
Islam
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Introduction to Islam
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Islamic pilgrimages and sacred spaces
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The Kaaba
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Introduction to mosque architecture
Hinduism
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Hinduism and Buddhism, an introduction
Discovering Sacred Texts: Hinduism
Sacred texts in Hinduism
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Beliefs made visible: Hindu art in South Asia
Hindu temples
Varanasi: sacred city
Buddhism
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Introduction to Buddhism
The historical Buddha
The Buddha and Buddhist sacred texts
The stupa
Images of Enlightenment: Aniconic vs. Iconic Depictions of the Buddha in India
Four Buddhas at the American Museum of Natural History
Buddhist meditation and chant
Bodh Gaya: center of the Buddhist world
Bodh Gaya: The Site of the Buddha’s Enlightenment
Beliefs made visible: Buddhist art in South Asia
Bodhisattvas, an introduction
Buddhist Monasteries
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Judaism, an introduction
Jewish history to the middle ages
Jewish history 1750 to WW II
Jewish history in the post-war period
For the very beginner
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Ancient Near Eastern and ancient Egyptian art
Ancient Greek and Roman art
Medieval and Byzantine art
Renaissance art
Baroque and Rococo
Nineteenth-century art
Introduction to Twentieth-Century Art
Introduction to Contemporary Art

The Case for Copying

by The Art Assignment

Speaker: Sarah Urist Green

Cite this page as: The Art Assignment, "The Case for Copying," in Smarthistory, August 2, 2017, accessed June 26, 2022, https://smarthistory.org/case-for-copying/.

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