Periods, Cultures, Styles > Renaissance
Renaissance
Art in the Renaissance is defined by a new interest in the visible world, and attempts to reproduce that in paintings and sculpture. We also see the use of ancient Greek and Roman forms, especially in Italy, but even in Northern Europe in the early 16th century. The development of the use of oil paint was key, especially in Northern Europe, and in Italy (and later in Northern Europe) tools like chiaroscuro and linear perspective were used to create believable figures and spaces. Large-scale bronze sculptures, ambitious commissions, and the growing status of the artist also define this period.
Basics to get you started

Florence in the Early Renaissance

Early applications of linear perspective

Linear perspective interactive

Linear Perspective: Brunelleschi’s Experiment

Oil paint in Venice

How to recognize Italian Renaissance art

Devotional confraternities (scuole) in Renaissance Venice

Saving Venice

Types of renaissance patronage

Why commission artwork during the renaissance?

Guido Mazzoni and Renaissance Emotions

Renaissance Watercolours: materials and techniques

The role of the workshop in Italian renaissance art

Greek painters in renaissance Venice

Venetian glass, an introduction

Humanism in renaissance Italy

Humanism in Italian renaissance art

A primer for Italian renaissance art

The Italian renaissance court artist

Northern Renaissance art under Burgundian rule

Burgundy in the 15th century, an introduction

15th-century Flanders, an introduction

What is Melencolia?

Confronting power and violence in the renaissance nude

Printmaking in Europe, c. 1400−1800

Toward the High Renaissance, an introduction

Galileo Galilei

Galileo and the science of nature

Michelangelo: Sculptor, painter, architect, and poet

Chiaroscuro explained

Linear perspective explained

Atmospheric perspective explained

15th-century Spanish painting, an introduction

A brief history of the representation of the body in Western painting

A brief history of the representation of the body in Western sculpture

Tiny timelines: Michelangelo in context

The status of the artist in renaissance Italy

The Sack of Rome in 1527

The Rise and Fall of the Avis Dynasty in Portugal, an introduction

The Renaissance in Spain

The Medieval and Renaissance Altarpiece

The Medici collect the Americas

The life of Christ in medieval and Renaissance art

The Council of Trent and the call to reform art

The Protestant Reformation

Sex, Power, and Violence in the Renaissance Nude

Contrapposto explained

Henry VIII and the Reformation

Images of African Kingship, Real and Imagined

Introduction to the Protestant Reformation (part 1 of 4): Setting the stage

Introduction to the Protestant Reformation (part 2 of 4): Martin Luther

Introduction to the Protestant Reformation (part 4 of 4): The Counter-Reformation

Introduction to the Protestant Reformation (part 3 of 4): Varieties of Protestantism

Iconoclasm in the Netherlands in the 16th century

Retro style in the Renaissance

Leonardo: Anatomist

Raphael, an introduction

The role of the workshop in late medieval and early modern northern Europe

Foreshortening explained

Preparatory drawing during the Italian renaissance, an introduction

What made art valuable, in the Middle Ages and Renaissance vs. now

Manuscripts: major works of art

Leonardo and his drawings

Renaissance woman: Isabella d’Este

Coming Out: Queer Erasure and Censorship from the Middle Ages to Modernity

Who’s who? How to recognize saints…

Conserving Old Master Drawings

Classic, classical, and classicism explained

Musical imagery in the Global Middle Ages

Classical Architecture in Viceregal Mexico

How one-point linear perspective works

The Bug That Had the World Seeing Red

Tiny timeline: global Europe

Dante’s Divine Comedy in Late Medieval and Early Renaissance art

The Miracle of the Black Leg
Works of Art
Artists

Bayon, the most notable temple at Angkor Thom (photo: Dmitry A. Mottl, CC BY-SA 4.0)