Smarthistory Logo
  • Art Histories
      • The basics of art history
      • Places
        • Africa
        • Asia
        • Europe
        • North America
        • South America
        • Oceania
      • Periods, Cultures, Styles
        • Prehistoric
        • Ancient West Asian
        • Ancient Egyptian
        • Ancient Greek
        • Ancient Roman
        • Mesoamerican
        • Native Andean
        • Medieval
        • Islamic
        • Ming dynasty
        • Renaissance
        • Kingdom of Benin
        • Edo period
        • New Spain
        • Chola Empire
        • Native North American
        • Tibetan
        • Polynesian
        • Modernisms
        • Contemporary
        • See All
      • Artists
        • Miguel Cabrera
        • Artemisia Gentileschi
        • Hokusai
        • Frida Kahlo
        • Maya Lin
        • Michelangelo
        • Georgia O’Keeffe
        • Francisco Oller
        • Phidias
        • Pablo Picasso
        • Jackson Pollock
        • Malick Sidibé
        • Mimar Sinan
        • Jan van Eyck
        • Vincent van Gogh
        • Kay WalkingStick
        • Andy Warhol
        • Ai Weiwei
        • Kehinde Wiley
        • Frank Lloyd Wright
        • See All
      • Artwork Types
        • Painting
        • Sculpture
        • Architecture
        • Photography
        • Ceramics
        • Prints
        • Textile
        • Drawing
        • Manuscripts
        • Metalwork
        • Memorials
        • Stained glass
        • Masks
        • Mosaic
        • Rock art
        • Performance art
        • Film and video art
        • Installation
        • Earthwork
        • Street art
        • See All
      • Materials
        • Adobe
        • Bronze
        • Clay
        • Cotton
        • Feather
        • Gems
        • Gold
        • Ivory
        • Jade
        • Lapis lazuli
        • Marble
        • Mixed media
        • Oil paint
        • Parchment
        • Plastic
        • Porcupine quill
        • Silk
        • Silver
        • Steel
        • Watercolor
        • See All
      • Techniques
        • Carving
        • Casting
        • Chiaroscuro
        • Collage
        • Contrapposto
        • Daguerreotype
        • Embroidery
        • Enameling
        • Etching
        • Fresco
        • Gilding
        • Glassblowing
        • Illumination
        • Polychromy
        • Quilting
        • Repoussé and chasing
        • Weaving
        • Welding
        • Wheel throwing
        • Woodcut
        • See All
  • Books
      • OLDER TITLES
      • Ancient Roman Art
      • AP® Art History vol. 1 (#1–47)
      • AP® Art History vol. 2 (#48–98)
      • AP® Art History vol. 3 (#99–152)
      • See complete collection of titles
      • NEW TITLES
        • reframing art history cover smReframing Art History
          a new kind of textbook
        • Byzantine cover jpgGuide to Byzantine art
  • Curated Guides
      • THE BASICS
      • The Basics of Art History
      • The Basics of Religion in Art
      • SYLLABI
      • Art Appreciation
      • AP®︎ Art History
      • A-level History of Art
      • World Art History
      • Prehistory to the Middle Ages: the Mediterranean
      • Renaissance to the Modern Era: Europe
      • Global History of Architecture
      • Ancient Greek Art and Architecture
      • Medieval and Byzantine Art and Architecture
      • Islamic Art and Architecture
      • Early Modern Art (c. 1400–1800)
      • Latin American Art
      • 19th-Century European Art
      • History of Photography
      • Modern Art
      • Global Contemporary Art
      • THEMATIC SERIES
      • Understanding Museums
      • Creating and Conserving
      • Art in Flanders
      • Latinx Futures
      • Not your grandfather’s art history
      • ARCHES (At-Risk Cultural Heritage Series)
      • The U.S. Civil War in Art
      • Seeing America
  • About
      • ABOUT SMARTHISTORY
      • What is Smarthistory?
      • Is Smarthistory reliable?
      • Smarthistory Staff
      • Content editors and contributors
      • Board of Trustees and Board of Advisors
      • Museum and institutional partners
      • Major donors
      • Press coverage
      • Our blog
      • Contribute an essay
      • Contact us
      • We believe art has the power to transform lives and to build understanding across cultures. The brilliant histories of art belong to everyone, no matter their background.

        With more than 800 contributors from hundreds of colleges, universities, museums, and research centers across the globe, Smarthistory is the most-visited art history resource in the world.

  • Support
      • SUPPORT SMARTHISTORY
      • Donate
      • Contribute an essay
      • We created Smarthistory to provide students around the world with the highest-quality educational resources for art and cultural heritage—for free.

  • Search

Places  > South America

South America

Basics Timeline Works of Art Artists Periods, Cultures, Styles Curated Guides

Places  > South America

South America

Basics Timeline Works of Art Artists Periods, Cultures, Styles Curated Guides

Basics to get you started

Defining “pre-Columbian” and “Mesoamerica”

essay icon

Andean cultures, an introduction

essay icon

The Spanish Viceroyalties in the Americas, an introduction

essay icon

Independence from Spanish rule in South America

essay icon

Latin American art, an introduction

Paleolithic art, an introduction

essay icon

The Neolithic revolution

essay icon

Glossary for pre-Columbian art

essay icon

Ancient Colombian goldmaking

essay icon

Moche culture, an introduction

essay icon

Tiwanaku, an introduction

essay icon

Nasca art: sacred linearity and bold designs

essay icon

Nasca ceramics, an introduction

essay icon

Paracas, an introduction

essay icon

Paracas textiles, an introduction

essay icon

Cultural heritage at risk: Peru

essay icon

Costumbrismo

essay icon

Early Scientific Exploration in Latin America

The Viceroyalty of Peru, an introduction

essay icon

Portrait painting in the Viceroyalty of Peru

essay icon

Early viceregal architecture and art in Colombia

essay icon

Introduction to colonial Brazil

essay icon

Textiles in the colonial Andes

essay icon

The Medici collect the Americas

essay icon

Defensive saints and angels in the Spanish Americas

essay icon

The global Baroque, an introduction

essay icon

The rise and fall of the Avis dynasty in Portugal, an introduction

essay icon

African religious culture in the Atlantic world

essay icon

Latin American artistic pilgrimages to Paris

essay icon

Landscape painting in 19th-century Latin America

essay icon

The challenge of the nude in 19th-century Latin American painting

essay icon

How photographs of poverty in the Americas ignited an international battle over propaganda

essay icon

Modern art and reality

essay icon

Expression and modern art

essay icon

Geometric abstraction in South America, an introduction

essay icon

International Style architecture in Mexico and Brazil

essay icon

The origins of modern art in São Paulo, an introduction

essay icon

Breaking the frame—the Concrete Art movement

video icon

Painting in an industrial age—the Concrete Art movement

video icon

The challenge of a straight line—the Concrete Art movement

video icon

The case for Conceptual art

video icon

Performance art, an introduction

video icon essay icon

Contemporary art, an introduction

essay icon

The Black Atlantic: identity and nationhood

video icon

The Black Atlantic: toppled monuments and hidden histories

video icon

The Black Atlantic: afterlives of slavery in contemporary art

video icon

What can be done to protect cultural heritage?

essay icon

Timeline

Timelines Graphic

Nasca, Mantle ("The Paracas Textile"), 100–300 C.E., cotton, camelid fiber, 58–1/4 x 24–1/2" / 148 x 62.2 cm, found south coast, Paracas, Peru (Brooklyn Museum)

South America before 1500

  • Introduction
    • Paleolithic art, an introduction
    • The Neolithic revolution
    • Defining “pre-Columbian” and “Mesoamerica”
    • Glossary for pre-Columbian art
    • Andean cultures, an introduction
    • Ancient Andean art, an introduction
    • Ancient Andean art in context: an origin story (“The Legend of Ñaymlap”)
    • Teresita Fernández on pre-Columbian gold
  • Bolivia
    • Tiwanaku
      • Tiwanaku, an introduction
      • Semi-subterranean Court at the site of Tiwanaku
  • Colombia
    • Ancient Colombian goldmaking
    • Muisca
      • Muisca Raft
  • Ecuador
    • Chorrera
      • Chorrera ceramics from Ecuador
    • Jama-Coaque
      • Jama-Coaque ceramics
  • Peru
    • Cultural heritage at risk: Peru
    • Native Andean
      • Caral
      • Cupisnique
        • Feline-Head Bottle
      • Chavín
        • Chavín de Huántar
        • Complexity and vision: the Staff God at Chavín de Huántar and beyond
      • Salinar
        • Nose ornament with spiders
      • Nasca
        • Nasca art: sacred linearity and bold designs
        • Nasca ceramics, an introduction
        • Nasca Geoglyphs
        • The Paracas Textile
      • Paracas
        • Paracas, an introduction
        • Paracas textiles, an introduction
        • Paracas Feline Face Bottle
        • Paracas Flying Figure Bowl
        • Paracas Supernatural Bird Mantle
      • Moche
        • Moche culture, an introduction
        • Funerary bundle of the Señora de Cao
        • Moche Octopus Headdress
        • Moche Portrait Head Bottle
        • The Moche Royal Tombs of Sipán
        • Pair of Earflares, Winged Messengers
      • Wari
        • A Wari tunic
        • Four-cornered hat
        • Wari feather panels
      • Chancay
        • Chancay Standing Female Figure
      • Chimú
        • The Chimú culture, an introduction
        • Chan Chan
      • Sicán
        • Inverse-Face Beaker
      • Inka Empire
        • The Inka, an introduction
        • Keru Vessel
        • Inka stone vessels
        • Maize cobs
        • What is an Inka ushnu?
        • Inka checkerboard tunics
        • City of Cuzco
        • An Inka paccha
        • Machu Picchu
        • All-T’oqapu Tunic
        • The Inka khipu

South America 1500–today

  • Introduction
    • Colonial South America
      • The Spanish Viceroyalties in the Americas, an introduction
      • Defensive saints and angels in the Spanish Americas
      • The Viceroyalty of Peru, an introduction
      • Portrait painting in the Viceroyalty of Peru
      • Textiles in the colonial Andes
      • The Medici collect the Americas
      • The global Baroque, an introduction
      • Religion in the Colonial Americas
        • Christianity, an introduction
        • The Council of Trent and the call to reform art
        • African religious culture in the Atlantic world
    • Independence from Spanish rule in South America
    • Latin American art, an introduction
    • 19th-century Latin America
      • Early scientific exploration in Latin America
      • Costumbrismo
      • Latin American artistic pilgrimages to Paris
      • Landscape painting in 19th-century Latin America
      • The challenge of the nude in 19th-century Latin American painting
    • Modernisms
      • Modern art and reality
      • Expression and modern art
      • Geometric abstraction in South America, an introduction
      • Breaking the frame—the Concrete Art movement
      • Painting in an industrial age—the Concrete Art movement
      • The challenge of a straight line—the Concrete Art movement
      • Conceptual art, an introduction
      • The case for Conceptual art
      • Performance art, an introduction
      • Postmodernism
    • Contemporary
      • Contemporary art, an introduction
      • The case for copying
    • The Black Atlantic
      • The Black Atlantic: what is the Black Atlantic?
      • The Black Atlantic: identity and nationhood
      • The Black Atlantic: toppled monuments and hidden histories
      • The Black Atlantic: afterlives of slavery in contemporary art
  • Argentina
    • Modernisms
      • Nicolás García Uriburu, Coloration of the Grand Canal, Venice
  • Bolivia
    • Viceroyalty of Peru
      • Melchor Pérez de Holguín, Entry of Viceroy Archbishop Morcillo into Potosí
      • Master of Calamarca, Angel with Arquebus
  • Brazil
    • Native Amazonian
      • Mundurukú Headdress: a glimpse of life in the Amazon rainforest
      • Kayapó Headdress: a glimpse of life in the Amazon rainforest
    • Colonial Brazil
      • Introduction to colonial Brazil
      • The rise and fall of the Avis dynasty in Portugal, an introduction
      • Albert Eckhout, Series of eight figures
      • Mestre Valentim, Passeio Público, Rio de Janeiro
      • Church of Our Lady of the Rosary of the Blacks, Ouro Preto, Brazil
      • Church of São Francisco de Assis, Ouro Preto, Brazil
      • Carlos Julião, watercolor manuscript
      • Carlos Julião, “Black Kings and Queens”
      • Manoel da Costa Ataíde, ceiling painting of the Church of Saint Anthony, Santa Bárbara
      • Sanctuary of Bom Jesus de Matosinhos of Congonhas do Campo, 1757–1872
      • Cais do Valongo
    • Empire of Brazil
      • Marc Ferrez, Slaves at a Coffee Yard in a Farm, Vale do Paraiba, Sao Paulo
    • Modernisms
      • The origins of modern art in São Paulo, an introduction
      • How photographs of poverty in the Americas ignited an international battle over propaganda
      • Tarsila do Amaral, Abaporú
      • José Yalenti, Architecture or Twilight
      • Letícia Parente, Marca registrada
      • International Style
        • International Style architecture in Mexico and Brazil
        • Building Brasília
      • Concrete Art
        • Lygia Clark, Bicho
        • Hélio Oiticica, Parangolés
    • Contemporary
      • Sebastião Salgado, Kuwait
  • Chile
    • Viceroyalty of Peru
      • Alonso de Ovalle, Tabula geographica regni Chile
      • Official Portrait of Bishop Luis Francisco Romero
      • A colonial Andean portrait of Fermín Francisco de Ustaríz
      • Churches of Chiloé
    • Contemporary
      • Arpilleras
      • An interview with Alfredo Jaar
      • Alfredo Jaar, A Logo for America
  • Colombia
    • Spanish Viceroyalties
      • Early viceregal architecture and art in Colombia
      • Crown of the Virgin of the Immaculate Conception, known also as the Crown of the Andes
    • Early Colombian Republic
      • Carmelo Fernández, The Strait of Furatena in the Minero River
    • Modernisms
      • Olga de Amaral, El gran muro
    • Contemporary
      • Doris Salcedo: Third World identity
      • Doris Salcedo, Shibboleth
      • Ilana Savdie, Thirty-Seven Counts and Trismus
  • Ecuador
    • Viceroyalty of New Granada
      • Virgin of Chiquinquirá
      • Vicente Albán, Quito series
  • Guyana
    • Contemporary
      • Suchitra Mattai, Exodus
  • Peru
    • Viceroyalty of Peru
      • Introduction to religious art and architecture in early colonial Peru
      • The Virgin of Pomata: images of Andean faith
      • Bernardo Bitti, Coronation of the Virgin
      • Martín de Murúa, Guaman Poma, and unnamed artists, The Murúa Manuscripts
      • Guaman Poma
        • The First New Chronicle and Good Government
        • Africans in Nueva Corónica
        • “Bad Confession” in The First New Chronicle and Good Government
      • Luis de Riaño and Indigenous collaborators, The Paths to Heaven and Hell, Church of San Pedro de Andahuaylillas
      • Painting the 1650 Cuzco earthquake
      • Diego Quispe Tito, Last Judgment
      • Parish of San Sebastián, Procession of Corpus Christi series
      • Cuzco School
        • Attributed to Basilio Santa Cruz Pumacallao, The Virgin of Bethlehem
        • Cuzco School Artist, Saint Joseph and the Christ Child
        • The Child Mary Spinning
        • The Coronation of the Virgin by the Holy Trinity
        • Portrait of Don Marcos Chiguan Topa
        • Our Lady of Cocharcas and the Cuzco School of Painting
        • Union of the Inka Royal Family with the Houses of Loyola and Borgia
        • Conserving Cuzco School paintings
      • Fourteen portraits of the Inka Kings
    • Modernisms
      • Martín Chambi, Juan de la Cruz Sihuana, Cuzco Studio
  • Uruguay
    • Modernisms
      • Joaquín Torres-García, Composition
      • Joaquín Torres-García, Inverted America
      • Rhod Rothfuss, Yellow Quadrangle
  • Venezuela
    • Viceroyalty of New Granada
      • Diego Antonio de Landaeta, Portrait of Petronila Méndez
      • Juan Pedro López, Our Lady of Guidance
    • Modernisms
      • Luchita Hurtado’s body of work
    • Contemporary
      • Jesús Rafael Soto, Houston Penetrable

Works of Art

sort iconSort: Recently published
Search and See All (91)right arrow icon
  • Place
  • Date
  • Artist
  • Period, Culture, Style
  • Artwork Type
  • Material
  • Technique

Wari feather panels

c. 600–900

essay icon

Marc Ferrez, Slaves at a Coffee Yard in a Farm, Vale do Paraiba, Sao Paulo

1882

essay icon

The Coronation of the Virgin by the Holy Trinity

18th century

video icon

Martín Chambi, Juan de la Cruz Sihuana, Cuzco Studio

1925 (printed 1978)

essay icon

Carlos Julião, watercolor manuscript

1780–1800

essay icon

Tarsila do Amaral, Abaporú

1928

essay icon

Chorrera ceramics from Ecuador

c. 1300–300 B.C.E.

essay icon

Jama-Coaque ceramics

1st–5th century

essay icon
Previous 1 2 3 4 5 6 … 12 Next
Search and See All (91)right arrow icon

Artists

sort iconSort: A-Z
Search and See All (54) right arrow icon

"The author on his way to Lima (self-portrait)," Felipe Guaman Poma de Ayala, Nueva corónica y buen gobierno (portrait of Tupac Yupanqui, Tenth Inka), 1615 (Royal Danish Library)

Ilana Savdie

Jesús Rafael Soto

Diego Quispe Tito

Joaquín Torres-García

Rafael Troya

José Yalenti

Previous 1 2 3 4
Search and See All (54) right arrow icon

Periods, Cultures, Styles

Search and See All (50)right arrow icon

Prehistoric

before 2000 B.C.E.

Paleolithic

before 10,000 B.C.E.

Amazonian

c. 12,000 B.C.E.–today

Kayapó

to today

Neolithic

c. 10,000–2000 B.C.E.

Native Andean

4000 B.C.E. –1534 C.E.

Cupisnique

c. 1800–200 B.C.E.

Chorrera

c. 1300–300 B.C.E.

Mundurukú

to today

Chavín

900–200 B.C.E.

Paracas

c. 700 B.C.E.–200 C.E.

Jama-Coaque

c. 350 B.C.E.–1531 C.E.

Ancient Colombian chiefdoms

c. 200 B.C.E.–1600 C.E.

Calima

c. 200 B.C.E.–400 C.E.

Salinar

c. 200 B.C.E.–200 C.E.

Nasca

c. 100 B.C.E.–800 C.E.

Quimbaya

c. 100 C.E. to 1600 C.E.

Moche

c. 200–900 C.E.

Tiwanaku

c. 200–1100 C.E.

Tairona

c. 200–1600

Wari

c. 500–1000 C.E.

Muisca

c. 600–1600

Sicán

c. 750–1375

Chimú

950–1470

Chancay

c. 1000–1450

Zenú

c. 1000–1500

Inka Empire

c. 1100–1534

Spanish and Portuguese Renaissance

c. 1400–1600

Colonial American

c. 1492–1898

Portuguese Colonial

c. 16th–18th century

Colonial Brazil

1500–1822

Colonial Spanish American

c. 1520–1898

Viceroyalty of New Spain

c. 1520–1821

Viceroyalty of Peru

1542–1824

Cuzco School of Painting

17th–18th century

Viceroyalty of New Granada

c. 1717–1822

Viceroyalty of the Río de la Plata

c. 1776–1810

Latin American independence movements

1791–today

Early Colombian Republic

1810–86

Empire of Brazil

1822–89

Art Nouveau

c. 1880–1910

Modernisms

c. 1900–1980

Latin American Modernism

1900–1980

International Style

c. 1920–1980

Latin American Constructivism

c. 1920–70

Concrete Art

c. 1950–69

Conceptual art

c. 1960–70 and after

Brutalist

1960s–70s

Late Modernism/Postmodernism

1962–today

Contemporary

1980–today

arrow graphic pointing to the right
Search and See All (50)right arrow icon

Curated Guides to South America

All Textbook Chapters Syllabi Thematic Series

Textbook Chapter

Early South America (c. 3000 B.C.E.–2nd century C.E.)

Textbook Chapter

Middle South America, c. 2nd century–c. 900 C.E.

Textbook Chapter

Late South America (c. 9th–16th century)

Textbook Chapter

The colonial Andes and the Viceroyalty of Peru

Textbook Chapter

Portuguese contacts and exchanges, c. 1400–1800

Textbook Chapter

The sacred baroque in the Catholic world

Textbook Chapter

Art and Nationalism in 19th-century Latin America

Textbook Chapter

Latin American modernisms

Textbook Chapter

Itinerant modernisms: cosmopolitans, exiles, travelers since 1950

Textbook Chapter

Art into life: anti-modernist gestures

Textbook Chapter

Portraiture in the premodern world, 700–1400

Syllabus

World Art History Syllabus

Syllabus

Art of the Early Modern Period Syllabus (c. 1400–1800)

Syllabus

Global Contemporary Art Syllabus

Syllabus

AP®︎ Art History

Syllabus

Latin American Art Syllabus

Thematic Series

Latinx Futures

Explore other continents

North America

Oceania

Europe

Africa

Asia

Your donations help make art history free and accessible to everyone!

Donate Arrow pointing to the right
Smarthistory Logo

Smarthistory® believes art has the power to transform lives and to build understanding across cultures. The brilliant histories of art belong to everyone, no matter their background. Smarthistory’s free, award-winning digital content unlocks the expertise of hundreds of leading scholars, making the history of art accessible and engaging to more people, in more places, than any other publisher.

  • About Smarthistory
  • Smarthistory's blog
  • Contribute an essay
  • Content editors and contributors
  • Contact Us
  • Donate

Download free images

Subscribe to our channel

Connect with us

Connect with us

Subscribe to our newsletter

© 2025 Smarthistory
creative commons cc icon creative commons cc icon creative commons cc icon creative commons cc icon