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Global Cultures 1980-now

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A beginner's guide
Contemporary Art, an introduction
The Case for Copying
The Pictures Generation
The YBAs: The London-based Young British Artists
Appropriation and ideological critique
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Masami Teraoka, American Kabuki
Ai Weiwei
The Case for Ai Weiwei
Dropping a Han Dynasty Urn
Kui Hua Zi (Sunflower Seeds)
Remembering and the Politics of Dissent
Hans Haacke, Seurat’s “Les Poseuses” (small version), 1884-1975
Keith Haring, Subway Drawings
Anselm Kiefer
Shulamite
Bohemia Lies by the Sea
An interview with Anselm Kiefer
Julie Mehretu, Stadia II
Doris Salcedo, Shibboleth
Cindy Sherman
Untitled Film Still #21
Untitled #228
Kara Walker
Kara Walker, Darkytown Rebellion
An interview with Kara Walker
Kara Walker, A Subtlety, or the Marvelous Sugar Baby
Art, Race, and the Internet: Mendi + Keith Obadike’s Black.Net.Art Actions
Nari Ward, We the People (black version)
Alfredo Jaar, A Logo for America
An interview with Alfredo Jaar
Borderlands
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Rafael Lozano-Hemmer, Border Tuner
Postcommodity arts collective
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Tania Bruguera, The Francis Effect
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Raúl de Nieves, Beginning & the end neither & the otherwise betwixt & between the end is the beginning & the end
Stephanie Syjuco, The Visible Invisible
An-My Lê, 29 Palms
Identity and the body
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Barbara Kruger, Untitled (Your gaze hits the side of my face)
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Felix Gonzalez-Torres, “Untitled” (billboard of an empty bed)
Yinka Shonibare, The Swing (After Fragonard)
Rineke Dijkstra, Odessa, Ukraine, August 4, 1993
Marlene Dumas, Models
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Pepón Osorio, En la barberia no se llora (No Crying Allowed in the Barbershop)
Tracey Emin, My Bed
Kiki Smith, Lying with the Wolf
Wangechi Mutu
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An interview with Maryam Hoseini
Jordan Casteel paints her community
Nick Cave’s “Soundsuits”
Luchita Hurtado’s body of work
Abraham Cruzvillegas, Autoconstrucción
Graciela Iturbide, Photographing Mexico
Banality and kitsch
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Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living
Jeff Koons, Pink Panther
Jaune Quick-to-See Smith, Trade (Gifts for Trading Land with White People)
Michel Tuffery, Pisupo Lua Afe (Corned Beef 2000)
Thiebaud, Ponds and Streams
Jeff Wall, A View from an Apartment
Stéphane Couturier, Fenetre, Eastlake Greens, San Diego
Nari Ward, We the People (black version)
An interview with Kerry James Marshall about his series Mementos
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Meriem Bennani’s Exploded Visions
Theaster Gates on collecting
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Roger Minick, Woman with Scarf at Inspiration Point, Yosemite National Park
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Emily Kame Kngwarreye, Earth’s Creation
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Chris Ofili, The Holy Virgin Mary
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Bill Viola, The Crossing
Xu Bing, Book from the Sky
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Tenzing Rigdol, Pin drop silence: Eleven-headed Avalokiteshvara
Do Ho Suh, Rubbing/Loving
Histories, real and imagined
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El Anatsui
El Anatsui, Untitled
El Anatsui, Old Man’s Cloth
Jean-Michel Basquiat, Horn Players
Sue Coe, Aids won’t wait, the enemy is here not in Kuwait
Thornton Dial, Blood and Meat: Survival For The World
Titus Kaphar, The Cost of Removal
William Kentridge, drawing from Tide Table (Soho in Deck Chair)
The National Memorial for Peace and Justice
Nam June Paik, Electronic Superhighway: Continental U.S., Alaska, Hawaii
Sigmar Polke, Watchtower series
What's in a map? Jaune Quick-To-See Smith's State Names (2000)
Wendy Red Star, 1880 Crow Peace Delegation
Gerhard Richter
The Cage Paintings (1-6)
Uncle Rudi
Betty
September
Roger Shimomura, Diary: December 12, 1941
Sebastião Salgado’s Kuwait
Kehinde Wiley, Napoleon Leading the Army over the Alps
Kenseth Armstead, Surrender Yorktown 1781
Maya Lin, Silver Upper White River
Courtney Leonard, ARTIFICE Ellipse, 2016
Hock E Aye Vi Edgar Heap of Birds, Native Hosts (Arkansas)
Krzysztof Wodiczko, Monument
Julie Mehretu, HOWL, eon (I, II)

The Case for Copying

by The Art Assignment

<span class=”video-caption”>Speaker: Sarah Urist Green</span>

Cite this page as: The Art Assignment, "The Case for Copying," in Smarthistory, September 7, 2018, accessed January 28, 2021, https://smarthistory.org/case-for-copying-2/.

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