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Global Cultures 1980-now

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A beginner's guide
Contemporary Art, an introduction
The Case for Copying
The Pictures Generation
The YBAs: The London-based Young British Artists
Appropriation and ideological critique
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Masami Teraoka, American Kabuki
Ai Weiwei
The Case for Ai Weiwei
Kui Hua Zi (Sunflower Seeds)
Remembering and the Politics of Dissent
Hans Haacke, Seurat's "Les Poseuses" (small version), 1884-1975
Keith Haring, Subway Drawings
Anselm Kiefer
Shulamite
Bohemia Lies by the Sea
Julie Mehretu, Stadia II
Doris Salcedo, Shibboleth
Cindy Sherman
Untitled Film Still #21
Untitled #228
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Nari Ward, We the People (black version)
Alfredo Jaar, A Logo for America
Identity and the body
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Barbara Kruger, Untitled (Your gaze hits the side of my face)
Jamie Wyeth, Kalounna in Frogtown
Marc Quinn, Self
Lucian Freud, Standing by the Rags
Carrie Mae Weems, Untitled (Woman Feeding Bird), from The Kitchen Table Series
Felix Gonzalez-Torres, “Untitled” (billboard of an empty bed)
Yinka Shonibare, The Swing (After Fragonard)
Rineke Dijkstra, Odessa, Ukraine, August 4, 1993
Marlene Dumas, Models
Shirin Neshat, Rebellious Silence, Women of Allah series
Pepón Osorio, En la barberia no se llora (No Crying Allowed in the Barbershop)
Kiki Smith, Lying with the Wolf
Wangechi Mutu, Preying Mantra
Marina Abramović, The Artist is Present
Alison Saar, Topsy and the Golden Fleece
Banality and kitsch
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Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living
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Jaune Quick-to-See Smith, Trade (Gifts for Trading Land with White People)
Michel Tuffery, Pisupo Lua Afe (Corned Beef 2000)
Thiebaud, Ponds and Streams
Jeff Wall, A View from an Apartment
Stéphane Couturier, Fenetre, Eastlake Greens, San Diego
Nari Ward, We the People (black version)
Ritual, spirituality, and transcendence
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Roger Minick, Woman with Scarf at Inspiration Point, Yosemite National Park
Mariko Mori, Pure Land
Emily Kame Kngwarreye, Earth’s Creation
Bruce Nauman, The True Artist Helps the World by Revealing Mystic Truths
Chris Ofili, The Holy Virgin Mary
Clarissa Rizal, Resilience Robe
Bill Viola, The Crossing
Xu Bing, Book from the Sky
James Turrell, Skyscape, the way of color
Histories, real and imagined
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El Anatsui
El Anatsui, Untitled
El Anatsui, Old Man’s Cloth
Jean-Michel Basquiat, Horn Players
Sue Coe, Aids won't wait, the enemy is here not in Kuwait
Thornton Dial, Blood and Meat: Survival For The World
Titus Kaphar, The Cost of Removal
William Kentridge, drawing from Tide Table (Soho in Deck Chair)
The National Memorial for Peace and Justice
Nam June Paik, Electronic Superhighway: Continental U.S., Alaska, Hawaii
Sigmar Polke, Watchtower series
What's in a map? Jaune Quick-To-See Smith's State Names (2000)
Wendy Red Star, 1880 Crow Peace Delegation
Gerhard Richter
The Cage Paintings (1-6)
Uncle Rudi
Betty
September
Roger Shimomura, Diary: December 12, 1941
Sebastião Salgado’s Kuwait
Kehinde Wiley, Napoleon Leading the Army over the Alps
Kenseth Armstead, Surrender Yorktown 1781
Maya Lin, Silver Upper White River
Courtney Leonard, ARTIFICE Ellipse, 2016
Hock E Aye Vi Edgar Heap of Birds, Native Hosts (Arkansas)

The Case for Copying

by The Art Assignment

<span class=”video-caption”>Speaker: Sarah Urist Green</span>

Cite this page as: The Art Assignment, "The Case for Copying," in Smarthistory, September 7, 2018, accessed August 4, 2020, https://smarthistory.org/case-for-copying-2/.

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At Smarthistory we believe art has the power to transform lives and to build understanding across cultures. We believe that the brilliant histories of art belong to everyone, no matter their background. Smarthistory’s free, award-winning digital content unlocks the expertise of hundreds of leading scholars, making the history of art accessible and engaging to more people, in more places, than any other provider.

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