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Global Cultures 1980-now

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A beginner's guide
Contemporary Art, an introduction
The Case for Copying
The Pictures Generation
The YBAs: The London-based Young British Artists
Appropriation and ideological critique
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Masami Teraoka, American Kabuki
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The Case for Ai Weiwei
Kui Hua Zi (Sunflower Seeds)
Remembering and the Politics of Dissent
Hans Haacke, Seurat's "Les Poseuses" (small version), 1884-1975
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Shulamite
Bohemia Lies by the Sea
Sherrie Levine, Untitled (After Edward Weston, ca. 1925)
Julie Mehretu, Stadia II
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Untitled Film Still #21
Untitled #228
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Rineke Dijkstra, Odessa, Ukraine, August 4, 1993
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Felix Gonzalez-Torres, “Untitled” (billboard of an empty bed)
Alfredo Jaar, A Logo for America
Wangechi Mutu, Preying Mantra
Shirin Neshat, Rebellious Silence, Women of Allah series
Pepón Osorio, En la barberia no se llora (No Crying Allowed in the Barbershop)
Yinka Shonibare, The Swing (After Fragonard)
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Carrie Mae Weems, Untitled (Woman Feeding Bird), from The Kitchen Table Series
Alison Saar, Topsy and the Golden Fleece
Banality and kitsch
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Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living
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Jaune Quick-to-See Smith, Trade (Gifts for Trading Land with White People)
Michel Tuffery, Pisupo Lua Afe (Corned Beef 2000)
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Jeff Wall, A View from an Apartment
Stéphane Couturier, Fenetre, Eastlake Greens, San Diego
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Mariko Mori, Pure Land
Emily Kame Kngwarreye, Earth’s Creation
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El Anatsui
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September
Roger Shimomura, Diary: December 12, 1941
Kehinde Wiley, Napoleon Leading the Army over the Alps
History and deception: Kenseth Armstead’s Surrender Yorktown 1781

The Case for Copying

by The Art Assignment

<span class=”video-caption”>Speaker: Sarah Urist Green</span>

Cite this page as: The Art Assignment, "The Case for Copying," in Smarthistory, September 7, 2018, accessed November 19, 2019, https://smarthistory.org/case-for-copying-2/.

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