Architects and designers included: Donato Bramante (whose design won Julius II’s competition); Antonio da Sangallo, a student of Bramante (the Pauline Chapel); Fra Giocondo (strengthening of the foundation); Raphael and Fra Giocondo (whose redesigned building plan was not executed); Michelangelo (design of the dome, crossing, and exterior excluding the nave and facade); Giacomo della Porta (design of the cupola); Carlo Maderno (extension of Michelangelo’s plan, adding a nave and grand facade); Gian Lorenzo Bernini (addition of the piazza, the Cathedra Petri, and the Baldacchino).
Pope Julius II commissioned Bramante to build a new basilica—this involved demolishing the Old St Peter’s Basilica that had been erected by Constantine in the fourth century. This ancient church was in disrepair. But tearing it down was a bold maneuver that gives us a sense of the enormous ambition of Pope Julius II, both for the papacy as well as for himself.
Burial site of St. Peter
The site is a very holy one—it is (according to the Church) the site of the burial of St. Peter. Bramante did the first plan for the new church. He proposed an enormous centrally planned church in the shape of a Greek cross enclosed within a square with an enormous dome over the center, and smaller domes and half-domes radiating out. When Bramante died, Raphael took over as chief architect for St. Peter’s, and when Raphael died, Michelangelo took over. Both Michelangelo and Raphael made substantial changes to Bramante’s original plan. Nevertheless, the experience of being inside St. Peter’s is awe-inspiring.
Basilica and central plan
The two basic types of Church are the basilica and the central plan. The basilica, with its long axis that focuses attention on the altar, has been the most popular type of church plan because of its practicality.
The other popular type of church plan is a central plan that is usually based either on the shape of a circle, or on a Greek cross (a cross with equal arms). These are called central plans because the measurements are all equidistant from a center. This type of Church, influenced by Classical architecture (think of the Pantheon), was very popular among High Renaissance architects. Besides the influence of ancient Roman architecture, the circle had spiritual associations. The circle, which has no beginning and no end, symbolized the perfection and eternal nature of God. For some thinkers in antiquity and the Renaissance the universe itself was constructed in the form of concentric circles with the sun, moon and stars moving in circular orbits around the earth.
Bramante’s original design was for a central plan, however—as built—the church combines elements of a central plan with the longer nave of a basilica.
Architectural contributors to St. Peter’s Basilica include:
Donato Bramante, whose design won Julius II’s competition
Antonio da Sangallo, a student of Bramante, who designed the Pauline Chapel
Fra Giocondo, who strengthened the foundation
Raphael worked with Fra Giocondo, whose redesigned building plan was not executed
Michelangelo designed the dome, crossing, and exterior excluding the nave and facade
Giacomo della Porta designed the cupola
Carlo Maderno, extended Michelangelo’s plan adding a nave and grand facade
Gian Lorenzo Bernini added the piazza, the Cathedra Petri, and the Baldacchino
Designing St. Peter’s from Columbia University
Vatican tour of the necropolis believed to contain the tomb of Saint Peter – Please note: to reach the interactive tour of the necropolis, proceed beyond the introduction and the brief lecture offered by Cardinal Comastri
St. Peter’s Basilica at Sacred Destinations