The overriding quality of Lochner’s Madonna of the Rose Bower is an intense sweetness.
The overriding quality of Lochner’s Madonna of the Rose Bower is an intense sweetness.
This painting at the Wallraf-Richartz Museum
Anne Winston-Allen, “Gardens of Heavenly and Earthly Delight: Medieval Gardens of the Imagination,” Neuphilologische Mitteilungen, volume 99, number 1 (1998), pp. 83–92.
Julien Chapuis, “Beyond the Christmas Card—Stefan Lochner, the Painter: ‘The Virgin in the Rose Bower,'” Stefan Lochner: Image Making in Fifteenth-Century Cologne (Turnhout: Brepols, 2004), pp. 88–94.
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